{"id":960,"date":"2017-05-09T09:40:35","date_gmt":"2017-05-09T01:40:35","guid":{"rendered":"http:\/\/test.coimcidea.com\/?p=960"},"modified":"2017-06-30T08:12:44","modified_gmt":"2017-06-30T00:12:44","slug":"art-culture-interest-groups-visit-for-the-national-museum-of-historys-sanyu-collection-on-may-9th-2017","status":"publish","type":"post","link":"https:\/\/wtic.org.tw\/?p=960","title":{"rendered":"Art &#038; Culture Interest Group\u2019s visit for the National Museum of History\u2019s Sanyu Collection"},"content":{"rendered":"<p><!--more--><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class='youtube-player' type='text\/html' width='1200' height='705' src='https:\/\/www.youtube.com\/embed\/ZwV7Yb4h97A?version=3&#038;rel=1&#038;fs=1&#038;autohide=2&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' allowfullscreen='true' style='border:0;'><\/iframe><\/span><\/p>\n<p>Every now and then I like to take a stroll around Taipei Botanical Garden, and enjoy the relaxed surroundings and the ever-changing exuberant colors offered to the city dwellers.\u00a0 <!--more-->Near the end of last year, I accidentally discovered that the fourth floor cafeteria had changed its name to \u201cSanyu Caf\u00e9\u201d; a waitress informed me that I should return for the upcoming new exhibition called \u201cSelected Restored Works by Sanyu\u201d! \u00a0While waiting for the food, I leafed through a huge volume of a book on Sanyu, and immediately became enchanted by the tragic tale of the painter\u2019s life.<\/p>\n<p>Sanyu (1901-1966) was born in Nanchong, Sichuang China, to a literati and wealthy family.\u00a0 Being the 6<sup>th<\/sup> child in the family and also the doted-on youngest, at an early age, Sanyu started learning how to paint horses from his father, and was apprenticed to the great scholar Zhao Xi to learn calligraphy and landscape painting.\u00a0 In 1918, he visited his second eldest brother in Japan and studied painting there for a short time, but moved back to Shanghai the following year.\u00a0 At the time, Liu Hai-su\u2019s Shanghai Academy of Fine Arts was strongly criticized for hiring female models to pose nude for the artists; some researchers believed that Sanyu had taken courses there.<\/p>\n<p>In 1921, he moved to Paris as part of the Diligent Work-Frugal Study Movement advocated by Cai Yuan-pei and rented a flat in Montparnasse, embarking on the path less travelled by his fellow Chinese students \u2013 he began to pursue painting at the Acad\u00e9mie de la Grande Chaumi\u00e8re, where artists only needed to pay a few francs for the models.\u00a0 Sanyu blended smoothly into the Ann\u00e9es Folles in no time, and during the Crazy Years of the 1920s in Paris, he spent more time around caf\u00e9s on the Rive Gauche than in the classroom, frequenting Brasserie La Coupole, Le D\u00f4me, Caf\u00e9 de la Rotonde etc., spots which are popular to this day. \u00a0He befriended Alberto Giacometti, Picasso and many other painters of the so-called \u201cEcole de Paris\u201d (School of Paris). \u00a0Sanyu was at the prime of his life, but often failed to grasp opportunities; in 1928 he married a fellow student named Marcelle, but the marriage lasted only three years.\u00a0 His artistic overtures finally bore fruit when Henri-Pierre Roch\u00e9 agreed to be his dealer, but their partnership soon came to an ugly end in less than three years.\u00a0 In 1938, his eldest brother, who had financially supported him all those years, passed away; Sanyu went back to China and collected his share of the inheritance.\u00a0 At the end of the Second World War, he spent two years in New York trying to start a table-tennis business, but without a reliable source of income, he decided to return to Paris.<\/p>\n<p><img data-attachment-id=\"1001\" data-permalink=\"https:\/\/wtic.org.tw\/?attachment_id=1001\" data-orig-file=\"https:\/\/i0.wp.com\/wtic.org.tw\/wp-content\/uploads\/2017\/05\/a.jpg?fit=127%2C81&amp;ssl=1\" data-orig-size=\"127,81\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"a\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/wtic.org.tw\/wp-content\/uploads\/2017\/05\/a.jpg?fit=127%2C81&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/wtic.org.tw\/wp-content\/uploads\/2017\/05\/a.jpg?fit=127%2C81&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-1001 alignleft\" src=\"https:\/\/i0.wp.com\/test.coimcidea.com\/wp-content\/uploads\/2017\/05\/a.jpg?resize=127%2C81\" alt=\"\" data-recalc-dims=\"1\" \/>The last 20 years of Sanyu\u2019s life was spent in abject poverty and hardship. Still, he was brusque to his buyers and patrons, often telling them: \u201cpay your money first, do not look when I paint, then get your painting and leave!\u201d\u00a0 In his own words, Sanyu said: \u201cAs for my work, there is no need for any explanation; when one looks at it, one should know what I want to convey\u2026. it\u2019s a simple concept.\u201d<\/p>\n<p>His last known work depicts a baby elephant running in a desert, titled \u201cA Lone Elephant\u201d. Sanyu said that the poor little creature was himself(Picture see Page 28 of NMH\u2019s Parisian Nostalgia).\u00a0 In 1966, he died in a gas poisoning accident in his flat. \u00a0His friend bought a lot in the cemetery, and he was buried without even a gravestone.<\/p>\n<p>On May 9<sup>th<\/sup>, fifty-two WTIC members and friends joined us for the \u201cParisian Nostalgia: the National Museum of History\u2019s Sanyu Collection\u201d exhibition \u2013 a huge crowd for any museum tour. \u00a0Needless to say, everyone came to listen to Mrs. Rita Shu-fan Wong\u2019s analysis of Sanyu\u2019s paintings! \u00a0In a preliminary meeting before the museum visit, set up by our Art &amp; Culture Chair Susan, Vivienne and I met with Rita; the four of us discussed how to manage such a sizable group in the not-so-spacious exhibition halls.\u00a0 I mentioned that Ms. Wang from the NMH also very kindly offered us standby personnel for any further assistance.\u00a0 In the invitation announcement, I wrote that Rita has compiled three Catalogue Raisonn\u00e9s of Sanyu\u2019s oil paintings, drawings and watercolors. \u00a0She told us that a fourth volume on Sanyu\u2019s prints and sculptures will soon be out on bookstore shelves.\u00a0 It is meant to be a symbol of farewell to Sanyu, whom she has studied for more than twenty years.\u00a0 I was so moved by her words.<\/p>\n<p>I am sure Rita\u2019s knowledge and expertise on the life and works of Sanyu is second to none; her career at Sotheby\u2019s enhanced her scope and depth of knowledge in both Western and Oriental art.\u00a0 In her presentation, for every Sanyu painting within the NMH Collection, she prepared other renowned paintings for comparison or historical reference; for example, she compared Mark Rothko\u2019s composition with Sanyu\u2019s, which really impressed and enriched our audience!\u00a0 Yet of course, all good things must come to an end.\u00a0 At the end of the tour, our Club President Mrs. Lin Chi Lee presented Rita with our club brooch and a copy of our 2016 Club Newsletter to express our sincere appreciation!\u00a0 We then moved to the front yard of the museum for a group picture in closing of the museum visit.<\/p>\n<p>I studied well the shortcut route from the museum to the lunch venue at Yu-feng Restaurant, and sent the file to a few people who offered to guide our members along the way. \u00a0I would like to express my gratitude especially to Carol Sun who followed my instructions just a day ahead, walking back and forth just to time how long the trip will take, and for helping me with collecting the fees! \u00a0And thank you, Olivia, for recommending the restaurant!<\/p>\n<p>During the scouting process, I visited the museum three times, joined the public tour once, and ate two crispy smoked ducks\u2013 and I think I wouldn\u2019t mind going back for more! \u00a0The Sanyu exhibition lasts till July 2<sup>nd<\/sup>; I encourage anyone who hasn\u2019t seen the exhibition to not miss the show!<\/p>\n<p>&nbsp;<\/p>\n<p>By Jessica Liu Chia<\/p>\n<p class=\"jetpack-slideshow-noscript robots-nocontent\">\u9019\u500bslideshow\u9700\u8981JavaScript\u3002<\/p><div id=\"gallery-960-1-slideshow\" class=\"slideshow-window jetpack-slideshow slideshow-black\" data-trans=\"fade\" data-autostart=\"1\" 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itemscope itemtype=\"https:\/\/schema.org\/ImageGallery\"><\/div>\n<p>Art &amp; Culture would like to extend our sincere thanks and appreciation to the National Museum of<\/p>\n<p>History and Mrs. Rita Shu-fan Wong for making this Sanyu event a big success!<\/p>\n<p>&nbsp;<\/p>\n<p>More photos please link\uff1a<a href=\"https:\/\/plus.google.com\/117693692102547850951\/posts\/EZZuhd5aUgN\" target=\"_blank\" rel=\"noopener\">https:\/\/plus.google.com\/117693692102547850951\/posts\/EZZuhd5aUgN<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1003,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/wtic.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/960"}],"collection":[{"href":"https:\/\/wtic.org.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wtic.org.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wtic.org.tw\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wtic.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=960"}],"version-history":[{"count":7,"href":"https:\/\/wtic.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/960\/revisions"}],"predecessor-version":[{"id":1139,"href":"https:\/\/wtic.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/960\/revisions\/1139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wtic.org.tw\/index.php?rest_route=\/wp\/v2\/media\/1003"}],"wp:attachment":[{"href":"https:\/\/wtic.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wtic.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wtic.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}